The Impact of Music on Locomotor Skill Performance in ChildrenJulieann M. Berg |
Participant ID Number |
Run | Gallop | Hop | Leap | Jump | Slide | Locomotor Scores | |||||||
1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | |
05 | 8 | 7 | 8 | 8 | 2 | 2 | 6 | 6 | 4 | 4 | 8 | 8 | 36 | 35 |
08 | 8 | 8 | 7 | 6 | 2 | 2 | 4 | 6 | 2 | 3 | 7 | 8 | 30 | 33 |
10 | 6 | 7 | 4 | 7 | 1 | 2 | 6 | 6 | 5 | 5 | 5 | 7 | 27 | 34 |
11 | 6 | 8 | 7 | 4 | 2 | 2 | 4 | 6 | 4 | 4 | 6 | 7 | 29 | 31 |
12 | 6 | 5 | 4 | 4 | 2 | 2 | 5 | 6 | 5 | 4 | 5 | 4 | 27 | 25 |
13 | 6 | 6 | 7 | 5 | 2 | 2 | 5 | 4 | 4 | 4 | 7 | 8 | 31 | 29 |
14 | 8 | 8 | 6 | 5 | 2 | 2 | 6 | 6 | 7 | 6 | 5 | 6 | 34 | 33 |
15 | 8 | 8 | 8 | 8 | 5 | 3 | 4 | 5 | 6 | 3 | 8 | 8 | 39 | 35 |
16 | 8 | 8 | 5 | 4 | 4 | 6 | 6 | 6 | 3 | 2 | 8 | 6 | 34 | 32 |
17 | 7 | 6 | 6 | 8 | 2 | 4 | 6 | 6 | 4 | 4 | 5 | 5 | 30 | 33 |
18 | 6 | 6 | 8 | 7 | 4 | 4 | 6 | 6 | 5 | 5 | 7 | 7 | 36 | 35 |
20 | 8 | 8 | 8 | 8 | 4 | 4 | 4 | 5 | 1 | 0 | 6 | 7 | 31 | 32 |
22 | 8 | 8 | 6 | 6 | 4 | 4 | 4 | 4 | 6 | 5 | 8 | 8 | 36 | 35 |
24 | 6 | 7 | 5 | 4 | 4 | 5 | 5 | 5 | 1 | 2 | 2 | 5 | 23 | 28 |
25 | 8 | 6 | 4 | 5 | 2 | 4 | 2 | 2 | 1 | 0 | 8 | 8 | 25 | 25 |
26 | 6 | 6 | 8 | 8 | 5 | 4 | 4 | 4 | 4 | 2 | 7 | 8 | 34 | 32 |
27 | 8 | 8 | 6 | 6 | 4 | 3 | 5 | 6 | 3 | 0 | 7 | 7 | 33 | 30 |
28 | 5 | 7 | 8 | 7 | 3 | 5 | 4 | 4 | 2 | 2 | 7 | 6 | 29 | 31 |
29 | 6 | 6 | 6 | 8 | 4 | 4 | 4 | 5 | 5 | 4 | 8 | 8 | 33 | 35 |
30 | 6 | 5 | 8 | 7 | 5 | 4 | 4 | 2 | 7 | 6 | 8 | 8 | 38 | 32 |
31 | 8 | 6 | 8 | 7 | 4 | 3 | 4 | 6 | 1 | 2 | 8 | 7 | 33 | 31 |
M | 6.95 | 6.86 | 6.52 | 6.29 | 3.19 | 3.38 | 4.67 | 5.05 | 3.81 | 3.19 | 6.67 | 6.95 | 31.81 | 31.71 |
SD | 1.07 | 1.06 | 1.47 | 1.52 | 1.25 | 1.20 | 1.06 | 1.28 | 1.94 | 1.83 | 1.56 | 1.20 | 4.21 | 3.00 |
Note: Condition 1 (Music) and Condition 2 (No Music)
The refinement and maintenance of locomotor skills are essential during childhood so that children can more fully explore their world (Gallahue & Ozmun, 1998). The quality of locomotor performance can be enhanced through the use of rhythmic elements in movement programs. The purpose of this study was to examine the impact of asynchronous music on the performance of locomotor skills in a group of children ages 9-12 years. The findings of this preliminary study do not support the hypothesis that music, acting as an environmental constraint, will improve the performance of locomotor skills in children as measured by the TGMD-2. The results show no significant differences in performance within the music and quiet conditions, which suggests that asynchronous music does not necessarily improve or hurt locomotor skill performance in children ages 9-12.
A possible explanation for the nonsignificant findings pertaining to the research question is that 14 participants received the quiet condition first (followed by the music condition), while only 7 participants received the music condition followed by the quiet conditions. Thus, the assumption of homogeneity of variance was violated in this study. It is possible, given the large standard deviations of TGMD-2 scores, that the protocol order received influenced the results of this study. Future researchers should assign an equal number of participants to each treatment group to ensure that this factor does not interfere with findings.
Another explanation for the results of this study is that perhaps music affects motivation more than performance. Specifically, the literature suggests that motivation related to music may improve performance in locomotor skills. The TGMD-2 is a measure of gross motor skill performance by children. It does not measure the children's perceptions of the testing environment or the children's intrinsic motivation and enjoyment. Anecdotal evidence from our study suggests that participants' locomotor performance may have been impacted by these factors. Two participants exhibited behaviors that may suggest that music is motivating and enjoyable in locomotor performance settings. These behaviors were "practicing" skills during the music condition and not during the quiet condition and singing the song used in the music condition during the quiet condition. One participant exhibited a behavior that may suggest that rhythmic elements aid in the performance of locomotor tasks. This behavior was tapping out the rhythm of the gallop for other participants during the quiet condition. Although we did not quantitatively measure these behaviors, they still suggest that music may be motivating and may provide facilitative rhythms during locomotor skill performance.
"Motivational music" is defined as having "a fast tempo (>120 bpm) and a strong rhythm and is proposed to enhance energy and increase bodily action" (Karageorghis, Terry, & Lane, 1999, p. 2). The song chosen for use in the music condition, 'I Like to Move It' by will.I.am had a tempo of 127 bpm and a strong rhythm, due to its regular, repeated, and easily recognizable pattern of sound. Tempo may be a motivational quality in movement settings because the speed of the music may influence the pace of the movement performed. A strong rhythm or beat may influence individuals physiologically by heightening arousal levels, increasing their heart rate or raising their blood pressure (Karageorghis et al., 1999). These effects on the body may support a more intense form of movement. In addition to these internal factors of music, cultural impact and personal association are considered to be external factors that affect one's perception of a piece of music as motivational (Karageorghis & Priest, 2012). However, no motivation measure was in place to record the participants' perceptions of the learning environment under both conditions.
Music can also provide intrinsic pleasure for its listeners, elicit emotions ranging from a very low to very high intensity, influence an individual's arousal levels, and spur action tendencies, or adaptive psychomotor responses to a specific situation (Bishop, Karageorghis, & Kinrade, 2009), such as a locomotor task. In a study by Coombes, Caruraugh, and Janelle (2007), the speed of a motor output increases when stimuli invokes an emotional response, as compared to a neutral stimuli. Music that invokes an emotional response in its listeners through cultural or personal associations may affect speed or amplitude of motor skill performance, as well as general skill proficiency. Thus, it may be that the music used in this study inspired the children to perform the locomotor skills faster, or that the children enjoyed performing the locomotor skills more with music, but the criteria for scoring performance on the TGMD-2 does not measure these variables.
In the present study, only one type of asynchronous music was used as opposed to using (both asynchronous and synchronous) different pieces of music in order to measure the motivational and rhythmic impacts of each. This study measured the impact of asynchronous music on the performance of locomotor skills in a group of children ages 9-12. Using asynchronous music in an exercise setting means that the participants made no conscious effort to synchronize their movements to the rhythms of the music. Furthermore, the participants were not specifically instructed to do so. According to Karageorghis, Terry, and Lane's (1999) conceptual framework for the prediction of responses to music in exercise and sport settings, asynchronous music is better known for its motivational qualities in movement settings, i.e., rhythmic response (tempo), musicality (harmony and melody), and cultural impact. Since the song that was played in the performance environment was one that most of the participants were familiar with, this may have contributed to the motivational influence of the music. If we were to test a piece of music for its ability to enhance performance by way of its rhythmic elements, a synchronous piece of music that would complement the rhythms of the locomotor skills being tested should have been used.
Additionally, the TGMD-2 may not have been sensitive enough to pick up on changes in locomotor performance between the two conditions. A more complex motion capture system (i.e., Dartfish software) may have been able to detect differences in movement quality between the two conditions. These differences could have been detected in the amplitude, or size, of the movement, meaning how big or small the participants moved. The speed of movement could also be compared between the two conditions if a more complex motion capture system was used. Many of the children tested had already reached mature development of their locomotor skills so that the effect of music on their performance may have been too minimal to detect using the TGMD-2 measure. An older age group was chosen for TGMD assessment with music because older children would have more experience with locomotor skills than younger children. However, a ceiling effect may have occurred with the older, more experienced movers.
Future research is needed to examine the motivational impacts of asynchronous music on locomotor skill performance in grade school children. It would be beneficial to determine if movement education programs that incorporate music are more likely to increase maintenance of proper locomotor skill execution and adherence to movement programs. Dance education classes often use background music during movement sequences, so participants in these classes could be compared to participants in movement programs without musical elements to see if levels of motivation, adherence, or skill execution are different.
In summary, music provides many different benefits for participants of movement programs, including motivation, enjoyment, and a rhythmic accompaniment that may influence speed or intensity of movement. Thus, the results of this study suggest that asynchronous music does not appear to be detrimental to children's motor skill performance, and therefore, practitioners may choose to incorporate music during motor skill assessment as the literature suggests it may be motivating for some children.
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